Central Ohio's Premiere Acting Studio offering professional acting classes for the beginner and the experienced actor, in a safe, supportive and challenging environment.
9.12.08
Video Sampler of commercials and film trailers feat. Acting in Columbus students, staff and alumni
Photo: Marie Kamara Monk in "Crowns" in December at The Contemporary American Theatre Company
WELCOME TO ACTING IN COLUMBUS
Photo: Meredith B. currently appearing in a Safe Auto Commercial
Acting in Columbus is a professional training studio in Columbus, Ohio which offers small and practical acting classes in a supportive yet challenging environment. We offer classes for adults in Scene Study, On-Camera, Improv, Acting for Film and Master classes. We're also offering an On-Camera Workshop for young performers and their parents. With our small class sizes; you receive personal attention from our faculty - all working, professional actors and directors.
WHY ACTING IN COLUMBUS?
PHOTO: Drew T. currently appearing in a DICK's SPORTING GOODS commercial
Prospective students frequently ask us what differentiates us from other acting classes. We answer that question by sharing what kind of work our students are booking. Your acting class will consist of no more than 12 students who will discover together that acting is probably the most challenging and thrilling thing they've ever done.
Julia A currently appearing in a National Gatorade Commercial
Film Columbus Industry Mixer
Film Columbus Industry Mixer Come out and mix and mingle with your film production friends and colleagues
Friday November 14, 2008
Gresso’s 961 S. High St. German Village
Starts 6:30 pm
Free hors d’oeuvres and cash bar
Bring your checkbook; we’ll be selling Film Columbus T shirts and bumper stickers.
This is a great opportunity to make a tax-deductible donation to Film Columbus and give back to an organization that has helped support Central Ohio’s film production community.
Your contribution will help Film Columbus survive.
An agent is an actor's representative. Once an agent Represents you, you are his or her "client." They will submit you for roles and try to get you seen by casting directors. They will take 10% union - 20 % non-union and print work, of your gross pay once you book a job. They will negotiate your fees and your contracts, and are your greatest professional advocate.Agents represent lots and lots of wonderful actors. They're busy, and they may not even be looking for new clients. Getting any agent is hard enough, so how do you go about getting a great one?
There are three basic ways an actor gets an agent. They are:
1. The agent sees your work and calls you in for an interview.
2. You are recommended to the agent by a casting director, director, producer, acting teacher or fellow actor who is a client of that agent.
3. The agent calls you in for an interview because of your P/R (photo and resume), which he or she received in the mail.Getting an agent to see your work is the best way to get representation, because they really need to get to know your work before they can represent you to the best of their ability. Even if you get an agent interested via another route, they'll probably want to see you have some training and/or experience before they'll represent you.
The most basic way to approach agents or managers in your entertainment career is of course the mailed-in submission, which consists of a cover letter, résumé, and headshot(s). You may also include a reel, if you have one. When it comes to assembling your packet, it's generally best to keep things simple. After all, agents and managers have seen every gimmick in the book - from food to party favors - and these gimmicks usually end up in the trash. But if you're in a play or showcase that spotlights your talent particularly well, invite reps to see you.
Acting in Columbus recommends you should only work with a "FRANCHISED" Talent Agent. What are SAG and AFTRA affiliated agents? Talent agents that are recognized by the acting unions because they follow the rules and regulations and code of conduct set forth by the acting guilds are called "franchised talent agents". How important are franchised agents? Very! A talent agent can be an actor’s greatest ally, strongest supporter and best business partner. Franchised agents place the interests of their actor clients above their own. They do more than just seek out work opportunities for their clients. They also make sure actors are paid a decent wage, assist the actor negotiate and sign union contracts and help make the workplace a safe environment. Choosing a franchised talent agent is one of the most important choices a performer can ever make.
ON-CAMERA WORKSHOP SATURDAY JANUARY 17, 2009 12-8PM $200
Photo: Zack S. currently appearing in a SAFE AUTO commercial
Learn how to audition for and break into the local commercial and industrial industry. If you already have an agent but want to increase your "Bookability" this workshop will give you the edge over your competitors! This workshop will give you:
• Experience with the actual audition process: You'll work on-camera all day doing both prepared and cold readings, and receive plenty of feedback from instructor Richard Mason• Script analysis skills: We have written our own textbook that breaks this process down and makes it simple• Comfort in front of the camera: How do you stand? How do you hold the script? How do you deal with your partner and the camera at the same time? What is a slate? What do you do with your hands?• Practice at doing all types of commercials: Scene work, improv, one-liners, bite and smiles, handling products, etc.• How to get started: This is our "Intro to the World of Camera Acting" class. It includes our "How Does This Business Really Work?" Seminar. You will learn how to make the first contact with the agents, and all the follow-ups you will need to "Break In". You'll also learn how to market to the casting directors, all about pictures and resumes, how the unions work, etc.
Ron K. is currently appearing in a national GE commercial
By taking this class you have the opportunity to show the agents that you are serious about pursuing this type of work. It also allows them to be more confident in submitting you, because they know you'll be able to handle yourself in front of the camera. Being a good commercial actor requires many things, including strong acting skills, a solid work ethic, and lots of hard work. This class is a good first step toward acquiring those things and being successful. Enrollment in this workshop also includes three months of Career Management. This Workshop is limited to 12 students. As of June 14, 2008 there are six (6) slots available. To register go to: http://actingincolumbusdregistrationform.blogspot.com/
EIGHT-WEEK SCENE STUDY FOR BEGINNERS JANUARY 24, 2008 10AM-12:30PM $200
Photo: Ron B. with Director Tim Clarke at the CORNHOLE: The Movie Wrap Party
No matter what the medium, acting principles are the same, and scene study is the place to learn them. This is the Mother Ship, the arena where you work on acting as a craft and art form, developing acting techniques you will be able to use anywhere Actors are assigned scenes which they rehearse outside of class for presentation in class. Stage plays comprise the primary source material. This workshop also presents a good opportunity to prepare monologues that you will need to use in the industry.
At the end of this eight-week course students present their scenes and monologues at our public STUDENT SHOWCASE.
ACTING FOR FILM SATURDAY JANUARY 24, 2009 1-3:30PM $200
Photo: Former student Drew L. from the set of the upcoming film 'SHELTER' starring Julianne Moore
This intermediate level class, ideal for actors who have some training and/or previous experience, offers a focused introduction to the process. Actors work, stage, and shoot several film scenes during the eight-week session. We work in depth on concepts central to the actor's role development for film. We use Shurtleff's 12 Guideposts as our basic text to help students make strong choices with a wide variety of scenes. Your ability to make active, personal choices is essential for dynamic auditions and performances.